See it running
One tap. Projection, light and sound, as one show.
The Gobos do Brasil showroom in São Paulo runs on WATCHOUT and Blocks. It is the whole stack in one room, and you can visit.
Creative integration · Miami · São Paulo
Shows nobody has built before, kept running.
Museums, ceremonies, tours, permanent rooms. When a venue needs something the catalog does not sell, we design it, build it, install it and watch over it.
Which first phrase? Pick one, it swaps into the top of the page. Then tell us which.
I prefer this phrase · Qual frase de abertura? Escolha uma e diga qual.
1990in São Paulo, when the market was analog
4layers, one company: show, device, software, operations
2platforms we represent in Brazil: WATCHOUT and Blocks
1room you can walk into and see it all running
Four layers. One line through them.
Our mark has drawn the company since the beginning: the show, the devices, the software and the operation, and the integration that ties them into one thing that works.
1Show
The experience and the room first, then the show control that runs it every day: WATCHOUT, Blocks, projection, lighting, sound, timecode.
2Device
What the catalog does not sell, we make. Mechanics modeled and 3D printed, electronics, firmware. Sensors, controllers and panels built for the room.
3Software
Our own tools where none exist, including the operations hub that knows every device at a venue. Written to grow as AI grows.
4Operations
Every device reports to the hub. We see problems before the audience does and fix most of them remotely. This is the line through the layers.
Products
What we represent and supply.
We represent Dataton and PIXILAB in Brazil and have run their platforms for decades, on machines built to our specification, with training for the people who will operate them.
Dataton WATCHOUT
Multi-display media playback and show control from Sweden. The backbone of our shows since the 1990s, from tours to the Youth Olympics opening ceremony. Peter is a certified WATCHOUT trainer, so training your team is part of the delivery.
PIXILAB Blocks
Displays, interactivity, control and audio guides on one platform, also from Sweden. What runs the Football Museum, the Fluminense museum and the showroom's tablet.
Computers by Tyar
Playback and control machines built to our specification by Tyar, tested on our bench before they reach the site.
Work
Where it runs.
Named where the room is still open or the night is remembered; the rest is a long list we would rather show you in person.
Story
Sweden to São Paulo to Miami.
Peter Lindquist, a mechanical engineer from Sweden, started KJPL in São Paulo in 1990, when the audiovisual market there was still analog, and brought computer-driven projection mapping to it.
Decades of museums, launches, ceremonies and tours followed, in Brazil, Argentina, Colombia and Germany, with Nordic partners such as Dataton and PIXILAB and control from Medialon and DomeProjection. In 2022 the company became CRINT, creative integration, one name for Brazil and the United States.
We are small on purpose. The people who design your system are the ones who build it, install it and answer when something goes wrong. We take the hard projects, because those are the ones worth building.
Since 1990
The line through the years.
- 1990KJPL founded in São Paulo; computer-driven projection mapping in a market that was still analog
- 1998–2006Tours with Marisa Monte, Sandy & Junior and Zezé di Camargo & Luciano; launches for Volkswagen and Toyota; sound and light at the Imperial Museum of Petrópolis
- 2012–2015Pink October mapping on MASP; Video Brazil at SESC Pompeia; Cais do Sertão in Recife; TV Globo's 50th at Maracanãzinho
- 2018–2019Youth Olympics opening ceremony in Buenos Aires; Rock in Rio NAVE; Bier Park Gramado and the Manaus city museum
- 2022–2024KJPL becomes CRINT, Miami and São Paulo; Fluminense FC Museum
- NowCustom devices, the operations hub, the showroom; a solution provider to projects
Tell us about the room.
info@crint.coMiami · São Paulo · we answer within a working day